Kim Winder is an installation artist working with kinetic systems, analogue photography and performative elements. Her work focuses on the physical tension that builds before something shifts. Using movement, repetition, sound and delay, she creates installations in which visitors slowly become aware of their own anticipation, discomfort or attraction toward what is about to happen.

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Her installations often begin with small shifts in behaviour that usually pass unnoticed: a silence stretching too long, two people waiting for something to happen, the second before something slips out of control. A glass of red wine keeps sliding across the edge of a table. Two faces slowly merge into a shared reflection. A self-portrait waits for the moment it cracks. The works construct situations in which tension gradually settles into the body.

 

Working with Polaroids, self-portraits and double exposure, Winder uses analogue photography to capture temporary moments in a direct and irreversible way. Distortion, overlap and imperfection remain visible within the image instead of being removed.

 

Using a universal visual language grounded in physical experience, her work reaches beyond traditional art contexts and invites visitors into encounters that continue afterwards through friction, conversation or silence.