Kim Winder is an installation artist working with kinetic elements, analogue photography and performative elements. Her work focuses on the moment before something shifts.

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Through movement, repetition and delay, she builds installations in which tension slowly builds over time. A glass of red wine keeps sliding across the edge of a table. A steel ball slowly rises toward a self-portrait printed on safety glass. Her works draw viewers into situations that trigger anticipation, hesitation or discomfort before a clear reason fully reveals itself.

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Analogue photography forms a recurring part of her practice. Working with Polaroids, self-portraits and double exposure, Winder captures temporary moments in a direct and irreversible way. The limitations of analogue processes shape instinctive decisions and leave space for distortion, overlap and imperfection.

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Combining raw materials, mechanical movement and carefully controlled anticipation, Winder uses a universal visual language grounded in physical experience to reach beyond traditional art contexts. Her installations create friction, confusion or wonder that continues afterwards through conversation.